The Reach for the Moon Engine, abbreviated as RE Engine and commonly nicknamed as the "Resident Evil Engine" by fans is the engine used to create Devil May Cry 5. It was developed by Capcom specifically for the making of Resident Evil 7: Biohazard.
Devil May Cry 5 uses photorealistic graphics thanks to the RE Engine, all models in the game were taken from real actors who were scanned via a 3D photoshoot. The clothing the characters wear in the game were also scanned from real clothing which were made in London and scanned in Serbia, then had the data sent to the development staff in Osaka. Nero's jacket in Devil May Cry 5 costed as much as a small car to make, the jacket was carefully selected so it would reflect well in-game however his accessories were not scanned. The Devil May Cry van took more than an year to make, the developers would even joke at the van feeling like a character due to how much time they spent on it, additionally, the writing on the van is the artist's own handwriting, including the neon sign.
For character expressions, Capcom used the latest facial technology developed by the Serbian company called 3Lateral, the movement in the game uses motion capture and after that's done, the voice actors record their lines based on the existing video, which makes it easier for them to understand the character's emotions. The same was done with the facial motions, they were also recorded separately from the body motion capture, so the developers had to sync everything together, which proved to be much harder than ever according to audio director Kakunoshin Atsumi.
Since the character models are very realistic, Capcom had to take special care of the animations in the game so they don't fall into the "uncanny valley of character movements", the new updated models would look unnatural performing the over-the-top animations, so Capcom had to tweak the animations to make them less "anime-like", because of this, some animations would end up having too much preparatory motions for some movements and again they had to go back and re-do the whole thing until the controls felt responsive.
In addition, the character's faces themselves were planned to be a complete digital double, meaning the character would look exactly like the model it was scanned from. However, Capcom then decided that in order to make the characters look more like their original looks, they needed to change them. This was done after the facial rig was built, so not only did they change the models, but also had to re-do some of the rigging.
- The engine's full name is "Reach for the moon", which is referenced by its logo and name, with "RE" taken from the first two letters of the word "reach".
- Jun Takeuchi directed Hideaki Itsuno to use the RE Engine in order for Devil May Cry 5 to scream quality just by looking at it. Takeuchi wanted the game to be relevant for the present and not just rely on its past glory.
- ↑ カプコンTV！第85回 E3特集『バイオハザード RE 2』『デビル メイ クライ 5』『ロックマン11 運命の歯車！！』
- ↑ 2.0 2.1 CAPCOM CONFIDENTIAL: THE DEV 1 PODCAST Episode 5
- ↑ Capcom 2018 Annual Report - "The Heart of Value Creation"
- ↑ Devil May Cry 5 - Design Philosophy
- ↑ 『デビル メイ クライ 5』は平成最後にして最高のアクションゲームになる！ 岡部P＆ウォーカーPが語る【E3 2018】 | Famitsu
- ↑ Capcom Confidential Episode 17 - YouTube
- ↑ DMC5's Matt Walker talks Crew Cut, Turbo Mode, inertia and Dante dance
- ↑ 『デビル メイ クライ 5』のキーマンに直撃。RE ENGINEで復活するスタイリッシュアクションの魅力とは？ - Dengeki Online
- ↑ devilmaycry_jp on Twitter: "【DMC5】E3の会場より、カプコンTV！に出演予定の岡部プロデューサー、伊津野ディレクター、マットプロデューサーのスリーショットをお届け！20日の生放送はお見逃しなく！ https://t.co/4UPYXCKy1X #DMC5… "
- ↑ PAX West 2018|Twitch Town Hall - PAX3
- ↑ V_Jump - Twitter
- ↑ hirokichi_kanji - Twitter
- ↑ カプコンTV！東京ゲームショウ2018＜9/23＞特番
- ↑ PlayStation®4/Xbox ONE『デビル メイ クライ 5』｜イーカプコン
- ↑ CGWORLD vol.249（2019年5月号）、4月10日（水）発売！ メイン特集は進化するゲームグラフィックス＆VRミステリーアドベンチャーゲーム『東京クロノス』！|CG・映像の専門情報サイト|CGWORLD.jp